The Write Advice

Did you just cringe at the blog post title? Are you contemplating it? Or do you just don't care? Guess what? All are okay. For it can be right to cringe over the wrong use of write. It can be right to think about it and see how it fits. It can even be right not to care and take it as it is. It can even be right to do all three. Come again?

Every person is an individual with strengths, weaknesses, likes, dislikes, beliefs, and all kinds of other things. So what are you going to get? If you've been around a while you already know the answer. You are going to read conflicting advice, advice you disagree with, advice you agree with that doesn't work for you, advice you agree with that does work for you, and even advice you may think is nuts but works.

Writing advice is just that, advice. Or tips if you prefer that word. Either can be right. All can be right. All can be wrong. It all comes back to you.

You have to decide what works. You have to decide what doesn't. You have to decide for yourself. You have to do the work. Yep, there is no way around it. It all truly does come back to you. Thankfully, there are steps you can go through.

Step 1

Decide what you are looking for. Editing advice, marketing tips, etc.

Step 2

Search and gather that advice.

Step 3

Narrow what you have found down to the best 10. Or pick a number that is good for you.

Step 4

Decide what you want to learn and expand upon. Could do this sooner, but by seeing the advice collected, you could have a better idea about what you want to explore.

Step 5

Compare the advice to each other and your capabilities. Does it make sense? Are you able to do that or willing to give it a try? Does it fit in your budget?

Step 6

Fact check. There are many out there just after money or recommending useless things because they are an affiliate or something of the like. Double check anything that recommends a service. Scams and worthless so-called systems abound. You don't want to get caught up in those. Also, use common sense. If it sounds to good to be true, it almost always is. If you find anything guaranteeing sales or that you'll never have to edit a word after the first draft, better to turn and run the other way.

Step 7

Deploy the advice that you have gathered and remember that it is a marathon. Everything from writing to marketing takes time. You can't just go "poof" and have things done.

Step 8

Keep track of results. There is no sense in putting more money into an ad that did nothing the first time. There is no sense in following a writing schedule that you can't seem to follow.

Step 9

Adjust and continue to adjust until you find your groove.

Step 10

Rinse and repeat for the next aspect you are looking into.

Even this advice won't work for everyone, but you have just checked something else off that won't work for you. That means you are getting closer to something that may work. Only takes one tip or piece of advice to help you on your way and/or teach you. You just may have to wade through much to find what works.

And it should go without saying, but I'll say it anyway, completely ignore advice that sounds dumb. "Publish without ever editing" is just one such example.

Have you ever found any advice or tips that worked? Any that you thought would work but didn't? Can you spot the scams and crappy advice? Do you know anyone whose tips worked for them but not you?

Guest Nicola Morgan: Five Things to Know about Being Published

Photo © Rebecca Morgan

For clarity, by “being published” I mean by a trade publisher. That is one who takes on all the cost and financial risk and aims to make a profit by actively selling your book. In trade publishing, the author is asked for NO MONEY AT ANY STAGE and it is the publisher’s duty to market and sell the book. Authors do also join in promotional activities (see Point 4), may choose to buy extra items such as postcards and are expected to do a couple of unpaid events (always expenses-paid) but no financial input is ever requested.

However, four out of my five points also apply to self-publishing. I’ve done both and have had good and bad experiences of each, but I strongly prefer being published by a trade publisher, with a good publisher taking a big cut for doing a fantastic job, covering the costs and, crucially, selling so that I can devote my energies to writing.

Here are five things to know about being published.

    

There is no typical story of being published and no right way

Each author has a different experience, or even many different experiences, as the more books we write the more possibilities there are for successes and frustrations. We may have more than one publisher and write more than one type of book. One of the mistakes inexperienced (and some experienced authors) make is to hear a few stories that fit their beliefs and believe that reflects normality.

You hear things such as, “You need to know someone in the industry, otherwise you don’t stand a chance.” “Most authors are disappointed in their publishers.” “Publishers do nothing but keep almost all the money.” “Authors have no say in their cover design.” “Publishers don’t use editors/copy-editors/proof-readers nowadays.” “Authors have no control.”

Every one of the above a) is inaccurate but b) sometimes happens.

All books are different, all authors are different, all publishers are different, all genres are different, and the book fairy is wholly unreliable. You can do everything the same and still get a different result. This is more art than science and long may that remain true.

Every “successful” author is hiding failure and disappointment

We are all invisibly bruised and scarred. All bar none. We’ve had rejections and continue to get them, usually secretly. You’ll hear that so-and-so-superstar had umptymillion rejections in the past but you won’t hear the current failures, the times they were overlooked for an award, given a bad review, not invited to a festival, undermined in some painful way on Amazon or in a bookshop. To tell those stories publicly either undermines our own career or someone else’s, so we suck it up and moan in private.

The problem is that lots of you will be going round thinking everything is rosy on this side of the fence, to mix two metaphors. Sometimes it is: I’m in a rosy period. But I know that ups precede downs and it may be ages before I win another award or have some other esteem-boosting experience.

I know massively best-selling authors who have angsted and lost sleep over sales figures dipping from the previous stellar ones, their editor sending back their manuscript with huge changes requested, not being shortlisted for prizes, fearing that they won’t get another contract; and not getting another contract. Twitter and Facebook are shouty with successes and prizes and every success or prize for one author can trigger angst and fear for hundreds more.

OK, so being self-published avoids the stress about contracts, but s-pubbing has its own stresses and failures, believe me. We all need thicker skins than we have; we all have to strive for success.

A successful book does not mean a better writer

Forgive this value judgement about “good” or “bad” books but let’s face it: shit often sells and diamonds are easily lost between floorboards. Being successful as an author doesn’t mean writing a brilliant book (though I hope we’re all trying to do that). It means writing the right book, at the right time and having it published by the right publisher at the right time and in the right way and reaching the right readers. And the book fairy not having stomach-ache.

Good publishing is a partnership based on mutual respect

The times when I’ve had the best publishing experiences – like now – have been when there’s brilliant two-way communication between me and my publisher. This works best when it works in the old-fashioned way of the editor being your conduit to everyone else, or at least always copied in. My publishers consult me about everything, including the cover. They respect what I say (or seem to!) and I respect what they say. It’s a genuine team effort. And my latest book, Positively Teenage, was reprinted several times before publication, because of all that and because the book fairy didn’t have stomach-ache.

Every story I know of dissatisfaction has come about when that mutual respect has been eroded. When a publisher forgets who actually wrote the book or forgets what publishers are supposed to do or the author forgets about the vagaries of book fairy stomach-aches and expects too much too fast.

The happy published writer is knowledgeable; hard-working; realistic and more

Knowledgeable: we all start not knowing how much we don’t know and we gradually learn more and more. Always keep learning.

Hard-working: it doesn’t necessarily get easier. But things that are worth doing aren’t easy. Where would the sense of achievement be if it were easy?

Realistic: book fairies…

But the happy published writer is one thing above all else: a writer. Our job as authors is to be writers first. Write the books we set out to write in the best way we can. Don’t get caught up on measuring success or counting contracts or prizes or sales figures or rejection emails: keep writing.

Copyright © 2018 Nicola Morgan

Photo © Rebecca Morgan

Nicola Morgan is a multi-awarding-winning author of over 100 books of fiction and non-fiction, including Write to be Published, and the self-published ebooks Write a Great Synopsis and Dear Agent. Most recently, she won the School Library Association’s Outstanding Contribution to Information Books. She is mainly published by Hachette, Walker Books and HarperCollins. Her feisty advice to writers earned her the nickname Crabbit Old Bat, via the blog Help! I Need a Publisher! www.nicolamorgan.com