Monday, February 9, 2015

Working with Small Publishers - Twelve Pros and Cons

Working with a small publisher can be both rewarding and frustrating. We didn’t need an agent (for the most part) and we didn’t have to learn the ropes of self-publishing. But there are limits and we have to weigh our options.

I invited twelve authors to share the best and the worst thing about working with a small publisher.

Michael Offutt
Double Dragon Publishing

What's the best thing about working with a small publisher? I've only published two books with my small pub. I think the best experience was the amount of freedom I had in helping design the cover art. It's pretty much spot on for the feel I get from the book.

What's the most negative thing about working with a small publisher? Again with my small pub, the only negative thing has been lack of support in the marketing department. Marketing though is pretty hard to do with books (a thing I've learned over time), so I don't blame them at all. Any and all marketing rests with me.

Donna K. Weaver
Emerald Arch Publishing

What’s the best thing about working with a small publisher? My publisher was wonderful to work with. They knew me like a large publisher never could. They solicited my input and listened if I had concerns. I felt respected and valued as an author. Since, for me, it was very much about the experience, this was just the way I should go.

What’s the most negative thing about working with a small publisher? A small publisher doesn't have as many connections or as much pull as a larger publisher. They're less likely to have much, if any, marketing budget, so the authors have to do most of that. Of course, anymore, even if you publish with a large publisher you have to do a ton of marketing.

Jamie Ayers
Curiosity Quills Press

The best thing about working with a small publisher is the smallness! I remember the excitement my editor had for my trilogy from the moment she offered me representation and thought there was no way I'd get that much enthusiasm for a debut author such as myself at a big publisher. I'd have been a very tiny fish in a HUGE sea. Less authors also meant my first book would get published in eight months verses a couple years.

The most negative thing for me is not being stocked on bookstore shelves across the country . . . it makes visibility difficult and the job falls almost completely on my shoulders to get my name out there.

Charity Bradford
WiDo Publishing

What’s the best thing about working with a small publisher? I loved having a team of people help me improve my novel. Knowing that I wasn't doing it alone took a lot of pressure off of me. The editor was wonderful to work with and I ended up with an amazing cover.

What’s the most negative thing about working with a small publisher? For the most part I loved every aspect of the process. One negative is that sometimes I don't receive answers to my emailed questions. They are busy working on the upcoming books, and I often don't feel they have the time for me. A large publisher would be the same way though.

Susan Gourley
New Concepts Publishing, Crescent Moon Press, and Musa Publishing

For me, the very best thing about working with a small publisher is the personal attention I receive. The editors take a personal interest in not only my current books but my career and future books. Their quick attention to my questions and concerns makes me feel like I'm important part of the company and not merely an employee or the producer of a product they sell.

On the negative side, though my books can be ordered in brick and mortar stores, I've seldom seen my books on the shelves of a physical store. This used to bother me more than it does now. Most of my sales are in the digital market any way.

Heather Gardner
InkSpell Publishing

What’s the best thing about working with a small publisher? - The individual attention. I'm on a first name basis with the CEO of my publishing company. I send an email and they send one back. We work closely together to create the very best product for publication. They want me to succeed because it benefits them as well.

What’s the most negative thing about working with a small publisher? - The constant fear of them closing their doors unexpectedly. Small publishers don't have a lot of capital backing them up. A few poor sales months could have them closing their doors. It's in my best interest to support the publisher, by doing as much self-promotion as I can, so they will be successful, then I will benefit as their client.

Nicki Elson
Omnific Publishing and Swoon Romance

A pro of small pub vs. big pub is that small publishers tend to move faster and get books out to market sooner. I suppose a con would be lack of distribution and shelf space at brick & mortar stores, but I don't see being in a brick & mortar as important in today's book market.
The pro of a small pub vs. self-publishing is having free access to the publisher's team of editors, publicists, and publishing expertise to ready your book for the world and help shepherd it out there. The con is that you give up control on choices on things like book cover, pricing, timing, etc.
What’s the best thing about working with a small publisher? My favorite thing has been the camaraderie with other authors at the publisher. We look out for each other and have been great supports for one another.

What’s the most negative thing about working with a small publisher? Like with any small company, some small pubs don't gracefully transition into a bigger business. Some handle growth better than others, and sometimes growing pains are..well, painful.

Tara Tyler
Curiosity Quills Publishing

What’s the best thing about working with a small publisher? The best thing is I got published! But also, I think I have a lot more say in cover design and content. Plus a lot more contact with upper management, and they answer questions quick.

What’s the most negative thing about working with a small publisher? Drawbacks would be not having the shelf space or advertising contacts and prowess of a big publisher. Here famous reviewer, read this book and give it a critique in a popular magazine... now that would be awesome!

Patsy Collins
Creative Print Publishing and Alfie Dog Publishing

Pro - There’s likely to be less competition, so your work is more likely to be read and it’s more likely you’ll get some kind of feedback even if your work isn’t selected for publication. When your work is published you’re more likely to have input into things such as cover design, release dates and title. You get more individual attention and build a relationship with the publisher, rather than just being one of many authors who is handled by a whole team of employees.
What’s the best thing about working with a small publisher? You get to speak directly to a person who can make a decision and can form a relationship with that person.

Cons. Much smaller budget for marketing etc. It’s less likely that your books can be offered for sale at the large discounts demanded by many bookstores, so your books won’t be so widely available on the High Street.
What’s the most negative thing about working with a small publisher? Much smaller budget for marketing etc. It’s less likely that your books can be offered for sale at the large discounts demanded by many bookstores, so your books won’t be so widely available on the High Street.

Donna M. McDine
Guardian Angel Publishing

What’s the best thing about working with a small publisher? I’ve enjoyed the “family” feel of working with a small publisher. The publisher and the fellow authors are always there for moral support and to answer questions.

What’s the most negative thing about working with a small publisher? In my opinion there is still a stigma that a small publisher is self-publishing. Not that there is anything with self-publishing. There have been many successful authors that have self-published. I’d also say not having a marketing team behind you is a downfall. But from what I understand even the big publishers don’t provide them as in-depth anymore. A lot of the marketing fall solely on the author.

C. Lee McKenzie 
Evernight Teen

Pros: It's quicker with the small publishers. You don't grow gray while waiting for your book. If you find the right one, they provide excellent covers and some marketing/promo.
They're accessible. I usually get answers to my questions within a day.

Cons: You have to be more careful about editing the book yourself. Double check and when in doubt, hire an outside editor.
You have more and more marketing to do with a small publisher. I'd book your own blog tour at the get go.

Alex J. Cavanaugh
Dancing Lemur Press LLC.

Pros: They’ve been willing to stick with me and continue promoting my series. I know that with bigger publishers, the marketing timeframe is small. And if I’d self-published, I would’ve given up ages ago! They've continued to market and support me though.

Cons: There are a lot of sites and venues that my publisher can’t access. Some I’m sure they just can’t afford. But it limits my books’ exposure to readers.


Those are some of the positive and negative aspects and from people who’ve gone down the small press path.

What are some of your pros and cons working with a small publisher? Would you consider going that route now?

Wednesday, February 4, 2015

Insecure Writer's Support Group Post Day and IWSG Critique Circle

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.

The awesome co-hosts today are Gwen Gardner, Dolorah, Sarah Foster, and M. Pax!

One of the advantages of belonging to a group like this is the connections. You have a common ground with other authors and can easily find those who write in your genre.

If you are looking for a critique partner, cruise through the IWSG list and visit members’ blogs. (We also have the IWSG Facebook Group with over two thousand members.)

In addition, we paired with another group and started the IWSG Critique Circle. This group is dedicated to matching people up with the best critique partners possible. If you’re looking for partners or will be in the near future, please join this Facebook group as well.

Anyone looking for critique partners? If you have some, where did you find them?

Monday, February 2, 2015

The Beauty Of Flash Fiction


Flash fiction is a form which is deceptively complex.

The beginning of every flash piece is like setting down an untravelled path towards an unknown destination. You keep putting one foot in front of the other, yet you have no idea what’s around the corner.

What triggers the story: a line of dialogue, a picture prompt, a single word, the line of a song?

What genre will emerge? A slice of humor, a slip of fantasy or a sliver of horror?

Whose point of view? A child? An object?

What types of ideas will come out? Extended sentences, like a throng of impatient learners, rushing through the school gates at the end of a long and tiring week. Or short phrases. Tip toe. Wary. Exploratory. Scanning the corridors of a new flash adventure.

Who knows? Writing flash fiction presents infinite possibilities which outnumber the sand grains scattered across Arabia.

And that is what I love about flash fiction – the unknown, the thrill, the risk.

In good flash fiction, most of the story occurs in what isn't there. We are talking about fiction that utilizes negative space. It’s a beautiful enigma that hints... leaves you wondering...

Expect to be taken by surprise as you savor this tasty morsel which is short on words but long on depth. It’s concise. Squeezes out any excess, yet maintains the succulence. Hacks away at the clutter until the core is revealed.

If you’ve hit a dry spot, it revs up your creative processes. It’s easier to maintain your focus for tiny word bites, than over a full-course meal of chapters and verses.

Language becomes precise and sparse. When we are forced to write within a limited frame every word becomes charged with intention and meaning. Pay close attention to detail and examine every single syllable in every word.

The fiction reaches out and grabs! It can be a gut punch or a passionate kiss, but the reader must feel something.

Imagine this scenario. You experience a fleeting moment of inspiration... maybe you’re in the shower, or just relaxing at the beachfront, minding your own, and an idea sneaks in. You plan to ignore it, but it anchors itself firmly. It refuses to disappear. However, you have no desire to extend this into something longer.

Don’t disregard it.

Seize the moment. Jot down the idea. See where it takes you.

Enjoy the ride!