Monday, December 20, 2021

Merry Christmas, Writer!



My family claims I am hard to buy for, an observation obviously proves they don't know me very well. A writer is one of the easiest/cheapest creatures to shop for. To prove my point, I made a list of Dollar Tree, a store noted for it's every-item-a-dollar sales model, purchases that would warm the writer heart and fill a gift bag (also available at Dollar Tree) for under twenty bucks. 

Notebooks 

Can a writer ever have enough notebooks? I say absolutely not. Notebooks with inspiring quotes. Spiral notebooks. Composition books. The Dollar Tree has them all.  



Coffee Mugs

Fill one with coffee or for a plot twist, use it for tea or hot cocoa. 



Hair Clips/Hats/Scrunchies

For the writer who doesn't waste time doing their hair. 



Candles 

Ambience. It's a cool word and a comforting inspiration. 




Socks

Warm toes lead to a warmed-up, ready to write brain. 



Pens & Pencils

Whether you're going for cute or straight-up function, you can find an assortment in the store. You can even get pencils, highlighters, or markers for the perfect writer tool kit. 



Notecards

Perfect for plot notes or character cards. You can even get rubber bands, folders, or organizers to keep all of your cards straight. 



Chocolate

Why? Because it's chocolate. 



Coffee

Or tea. Or hot cocoa. Remember to think outside the pot, you're a writer.



Healthy Snacks 

Treats to fill you up and keep you going. And they fit neatly into your desk, one excellent writer gift you can't buy at the Dollar Tree.  




Inspiration 

Pictures, plaques, magnets...look for the inspiration, it's everywhere!





Monday, December 13, 2021

Why Book Reviews Are Important and Where to Find Them


One of the most important aspects of a book is the reviews. They can make or break a new release. Reviews affect Amazon rankings. They affect findability on Goodreads and BookBub. They influence potential buyers and readers. And where they really shine is on the back cover, inside the eBook, in ads and promo materials such as bookmarks, and on retailer sites.

Traditional publishers are usually responsible for sending out review copies. Often smaller publishers will coordinate with their authors, sending ARCs to reviewers suggested by the author. If you are self-published, this task will fall squarely on your shoulders.

Prepublication reviewers such as Publishers Weekly and Library Journal require an ARC or galley many months prior to the book’s release date. These reviews are aimed at the industry (booksellers, libraries, and wholesalers) rather than the buying public.

Below are examples of prepublication reviewers:

• Publishers Weekly
• Kirkus Reviews
• Library Journal
• Booklist
• Foreword Magazine
• New York Times



There are many smaller reviewers as well, both in print and online. Magazines, small publications, genre fan sites, and book bloggers all review books. Some of these will review a title even after its publication.

Below is a selection of databases that list reviewers:

The Indie View
Book Sirens
Book Review Directory
Reedsy
Kindlepreneur
Feedspot
100 Best Book Review Blogs
Kate Tilton’s Book Bloggers
Publishing…and Other Forms of Insanity (sci-fi/fantasy)
The Reading Tub (middle grade/YA)
Through the Looking Glass


Look for any reviewer that accepts your genre. Read their submission guidelines and note when they like to receive copies and in what format. Many reviewers now accept eBooks. Be sure to make a list of those who could provide a blurb for your book, such as experts or celebrities. Most writers know other authors who write in their genre and that’s a good place to go for blurbs.


Understand that while a reviewer might accept a copy of your book, this in no way guarantees a review. It doesn’t guarantee a positive review, either. However, you won’t get any reviews if you don’t send out any books.

Reviews are probably the most important marketing tool for a book. Make sure you get your book into the hands of reviewers 3-6 months before publication date so you can use those reviews to promote your book. Remember, you can’t get any reviews if you don’t send out books!

Tuesday, December 7, 2021

The Best of...Carolyn Howard-Johnson

 

Carolyn Howard-Johnson is a frequent help to the IWSG with her blog posts and newsletter tidbits that offer writers advice that is entertaining, helpful, and easy to digest.

My copy of The Frugal Book Promoter

One of the many great things about Carolyn's books is she takes into consideration all avenues of publishing. Whether self-published or traditionally published, there is advice specific to each situation. Whenever I read one of her books, whether it is the Frugal Editor or the Frugal Book Promoter, it's with a highlighter, pen, and notepad ready. There is something to take note of on every page. 

To thank Carolyn for all of her help with the IWSG, this "Best Of" post is our thanks. 

Here are some of our favorite Carolyn lists and snippets of advice. 

Suggestions for preparing yourself to be the best publicity partner around. (From Carolyn's January 2014 IWSG post.)

1. Join organizations like IBPA (Independent Book Publishers Association) where you’ll learn to understand the world of publishing from every angle—your, that of your publicist and that of your publisher. And get the support you need along the way.

2. Subscribe to newsletters sent out my experts in the field of publishing. Dan Poynter, John Kremer, Penny C. Sansevieri, and one of my favorite publicity gurus Joan Stewart are all online resources for getting online information that isn’t rooted in myth and gossip. You’ll learn tons from my Sharing with Writers newsletter, too. Subscribe by sending a SUBSCRIBE message to CarolynHowardJ@AOL.com.

3. Take a class in public relations. The only way I know how to avoid drastic mistakes in choosing a class is to patronize your local college or attend writers’ conferences sponsored by universities.

4. One of the most frugal ways to learn a new skillset is to read. Most of those who publish free newsletters like the ones I mentioned above have books that will get you off on the right foot. Find mine here.

A list of the best way to help your writer friends. (From Carolyn's August 2019 IWSG post

1. Be a critique partner. We all need help polishing our manuscripts. As a critique partner, we also learn a lot about our own writing in the process.

2. Mark the book as ‘Want to Read’ on Goodreads. That helps it get noticed more. Plus vote for it if it appears on a Goodreads list.

3. Offer to host the author on your blog during his virtual tour. Either ask for a guest post or send interview questions. Even just a feature on release day helps spread the word.

4. Sign up to be on the author’s street team. You’ll promote on multiple platforms and get all sorts of cool bonus goodies.

5. Promote it on Facebook. Post notifications of the book’s upcoming release or host a Facebook party.

6. Promote the book on Twitter. Send out Tweets about the book – with an image. Retweet the author’s book tweets.

7. Promote the book on Instagram. If you have a review copy, take pictures of it. Same with Pinterest.

8. On release day, announce the book to your followers, friends, family, and fans, whether online or in the real world. Let them know they need to buy this book. Tell your local library and bookstore to order it. Hound them if you have to!

9. Buy the author’s book! Even if you got a free review copy. Years ago, Carolyn Howard Johnson said that was the number one thing you could do to support an author.

10. Review the book. Goodreads-Amazon-iTunes-Barnes and Noble – wherever! Just leave a review or at the very least a star rating. The book will get more notice with more reviews. Just make sure it’s an honest but not overly negative review. (If you’re out to slam other authors, you are in the wrong line of work.)

Tips on Monetizing to generate additional income (From Carolyn's August 2019 ISWG post) 

1. Offer ads or sponsorship in the backmatter of your book. Be sure your offer includes the ways the ad will benefit the advertiser or sponsor including how you will feature your benefactor in social networking you’ll be doing during the launch. 
2. Accept only professionally produced ads. 
3. Accept only ads that would interest your target audience. Be prepared to refuse some with the “not quite right” phrase that literary journals use to reject submissions. 
4. Limit the number of ads to just a few. 
5. Encourage ads that give discounts or freebies to benefit your readers. In fact, you could offer a discount on the price of the ad to those who do.
6. Don’t undersell your ad, especially if you already have an extensive platform. 

Best advice from Carolyn throughout the years from her April 2017 post

"Authors! We are ultimately responsible for our own careers."

So, start studying up and get to work! 


The Frugal Book Promoter, Third Edition! 

This multi award-winner, now in its third edition,  celebrates its 16th Anniversary as the flagship of Carolyn Howard-Johnson’s HowToDoItFrugally Series of books for writers. For only a few cents a day the third edition of The Frugal Book Promoter assures your book the best possible start in life. The author was inspired to write this book full of nitty-gritty how-tos for getting nearly-free publicity for her UCLA Writers’ Program class. A former publicist, journalist, and retailer, Carolyn shares her professional experience as well as practical tips gleaned from the successes of her own book campaigns. She tells authors how to do what their publishers can’t or won’t and why authors can often do their own promotion better than a PR professional.

Since its first release almost two decades ago, this book has won multiple awards:

 

Winner USA Book News Award 

Runner-up in the how-to category for the Los Angeles Book Festival 2012 awards

Global Ebooks Award Honorable Mention

Silver Medal from Military Writers Society of America

Wednesday, December 1, 2021

December 2021 IWSG

 


Our Twitter handle is @TheIWSG and hashtag is #IWSG.



December's Optional question is: In your writing, what stresses you the most? What delights you?

Many thanks to our awesome co-hosts for the December 1 posting. PJ Colando, Diane Burton, Louise – Fundy Blue, Natalie Aguirre, and Jacqui Murray, you guys rock!


Greetings Fellow Insecure Writers,

2021 is winding down. (Pause for disbelief and a head shake.) We've made it through another year of global turmoil. (Pause for a pat on the back.) I hope that all of us in the IWSG have made it to the end of this year better than simply surviving. I hope we've all made it to the end with our faith in humanity still in tact and that we all found at least a few reasons to smile in 2021. 
How about you? Can you think of some glimmer of sunshine that shined on you in 2021? If you can, share it in the comments. If you haven't. I'm sorry. (Pause for virtual hugs.) Fell free to also share your  griefs in the comments too, because we care. That's the hallmark of the IWSG. It's not just a group for the nuts and bolts of writing, we also care about the concerns that cause our insecurities too.

Now for the IWSG news and info:

Juneta Key is now the Instagram Admin. If you have an Instagram account, be sure to follow. Juneta will be sharing group info, updates, and I'm sure will be sprinkling some fun writerly stuff in here and there.

And be on the look out! January is coming. That means we will have new anthology winners to be announced and the Twitter Pitch is coming!

The next #IWSGPit will be in January 26, 2022, 8:00 am - 8:00 pm Eastern Standard Time


Support your fellow insecure writers. Our December IWSG Goodreads Book Club Member Reads are below. Answer this month's poll on December 9th; check-in December 16; and discussion day December 23rd.



This month's book picks:
Being Human by Patricia Lynn 
and 
Falling for the Villain by Kim Elliot 

Monday, November 22, 2021

Another Medium for Story Tellers: Video Games


As writers, we can all think back to certain stories or events that inspired us, trailheads of creative journeys we may not have even known we were on. I had one such experience at age 11, when I was drawn into the tale of a knight who sought redemption for his dark past and fought to save the world from destruction. With his companions, he traveled on flying ships and fought countless monsters, journeying to the underworld and eventually to the moon. My fingers held tight to the controller as the story unfolded in pixelated glory, synthesized music swelling with each revelation, betrayal, and heroic sacrifice.

Final Fantasy IV wasn't my first video game, but it was the first time I'd found myself caught up in the narrative of a game world. Of course, computer games had been telling stories for a couple decades before that, and they've only gotten better in the thirty years since.

Video games are a fascinating combination of technology and creativity, and they inspired me to learn computer programming in grade school. I went on to study engineering in college and worked almost 20 years as a software systems engineer. Though I dabbled with a few hobby projects, I never felt compelled enough to seriously return to my old dream of making games until I rediscovered my love for writing. After all, it wasn't just the gameplay or fancy graphics that had drawn me into those worlds!

Recently, my friend Anna 'Lavinnia' Kończak asked me to co-write a game called Poseidon's Orb. The story was already outlined and partially written when I joined the team, which included artists, musicians, programmers, and voice actors. The player takes the role of Charlotte, a singer who's been turned into a merperson and forced to steal a powerful artifact from the undersea kingdom of Aquatris.

Poseidon's Orb is a visual novel, a genre of game that incorporates a story told primarily through text with graphical depictions of the characters and setting. Background music and voice acting further enhance the experience, but the heart of the game is its narrative. Often, visual novels give the player the opportunity to make choices that affect the story. Some of these change the course of the plot, much like a Choose Your Own Adventure book, while others only affect the player character's attributes or relationships.

I was originally tasked to write a few scenes that develop the relationship between Charlotte and one of the story's love interests, King Benjamin. As the project went on, I ended up writing much more, including the entire third act and several of the story's endings. As my first sizeable game writing endeavor (the script is about 31,000 words), I learned a lot while working with a friendly, supportive, and talented team.

The writing style was a mix of first person prose and screenplay. We didn't follow standard screenplay format, but all dialogue was marked with tags indicating the character and an approximate emotion. This helped the voice actors deliver their lines with the correct feeling and the artists to create facial expressions for the characters. The programmer also referenced the markup to ensure that the game showed the correct character art for each line of dialogue. The setting for each scene was also explicitly stated (though without the standard slugline) so that the background artist could create the environments.


An excerpt from the Poseidon's Orb script. Note the background callout as well as character dialogue tags. This doesn't follow conventional screenplay format, but is easier to convert to the visual novel programming language we used.


Writing a visual novel first and foremost requires the same basics as writing a traditional novel: good storytelling, efficient prose, and impactful dialogue. However, the interactive medium presents its own unique challenges. Because the reader (or player) will be able to make choices, it can be tempting to explore every possible direction the story can take. However, this becomes unwieldy in a hurry. It can also lead to an inflated sense of the story's length, since the more branches the narrative takes, the greater the percent of story that is unread on any given playthrough.

Writers of interactive fiction have techniques for keeping a story manageable while giving the player a feeling of freedom. One way to do this is with scenes that consolidate a number of different branches. For example, early in Poseidon's Orb the player can choose which of the three potential love interests to spend time with at a banquet. Regardless of which conversation the player experiences, the story continues in the same way.


Story flow diagram for the banquet scene early in Poseidon's Orb. The player can talk to one of three love interests and choose how to react during the conversation. All three paths follow a similar structure for simplicity, and all end back on the main story thread.


Another way to create consequences from player choices is with statistics based on their actions. While this may not necessarily create a new path in the story, it might change the way an event takes place or how a particular character reacts to the player. In Poseidon's Orb, we tracked friendship and romance points for each of the three love interests, increasing the player's standing with each character based on certain dialogue selections. The primary intent was to change how conversations with each character flow, but there are a few story implications as well (if you're mean to everyone, don't expect a happy ending!).


Ligaya (left) greets you differently in this scene based on whether you've been nice to her. Note that both the text and the characters' facial expressions have changed. If you've been unkind to Ligaya (bottom screenshot), you are given the choice to make amends... or not!


Visual novels aren't the only place for writing in games, of course. Most games today include some form of storytelling, whether through textual or voice narration, character conversations, item descriptions, lore documents, or movie-like cutscenes. Creative game designers and writers are always finding new ways to use the medium and evoke memorable emotional responses.

If you're interested in learning more about visual novels, I highly recommend browsing free games on itch.io (you can filter by price and genre, among other things). Aaron A. Reed's series 50 Years of Text Games offers a fascinating history of interactive fiction, starting with the original version of Oregon Trail (a text-only simulation played via teletype). If you'd like to try crafting some interactive fiction yourself, Twine and Ink are great beginner platforms, as neither requires programming skill to get started. Ren'Py is the visual novel engine we used for Poseidon's Orb. For a deeper discussion of the craft, check out blogs by Susan O'Connor and Emily Short.


Bio

Joshua S. Robinson grew up a computer and video game nerd, became a software systems engineer, and didn't discover his love for writing until age 30. He has since authored and self-published a novel, written lots of unpublished short fiction, and made a handful of small video games. He lives in West Virginia with his wife.


Links

Article text

URL

Final Fantasy IV

https://en.wikipedia.org/wiki/Final_Fantasy_IV

Anna 'Lavinnia' Kończak

https://lavinnia.itch.io/

Poseidon's Orb

https://rodfireproductions.itch.io/poseidons-orb

itch.io

https://itch.io/

50 Years of Text Games

https://if50.substack.com/

Twine

https://twinery.org/

Ink

https://www.inklestudios.com/ink/

Ren'Py

https://www.renpy.org/

Susan O'Connor

https://www.susanoconnorwriter.com/blog

Emily Short

https://emshort.blog/

Joshua S. Robinson

https://wordyrobin.com







Image by R. Javier from Pixabay

Monday, November 15, 2021

Rocky Rinse And Repeat

 


Can you say rocky rinse and repeat 5 times fast? The saying holds true whether or not you can.

Much of writing, or much anything else for that matter, follows Rocky Rinse and Repeat.

You may have a rocky start, a rocky middle, or a rocky finish. You may have smooth sailing for the first time, the second time, the tenth time, but then the rocks get rained on and become slippery and down you go.

Rocky Rinse and Repeat is always going to be a thing for as long as you write.

Little time, getting stuck, rewrites, rejections, bad reviews, and a host of other rocks will form in your path. There is no way around it unless you are a millionaire and hire ghost writers to write everything. 

So how do you deal with Rocky Rinse and Repeat?

You just keep going. The rock may be big. The rock may be small. Don't panic or dance a jig or down you may fall. 

Thankfully, these rocks aren't able to give you a death blow to the head if you fall though. You can get back up and step over the rock. Step around the rock. Climb across the rock. Rocks are everywhere in any career, but you can get over them. You just have to get back up. Sometimes it may take a jackhammer to remove the rock, but it can be removed. 

You aren't the only one going through things and you, in most cases, probably aren't the first. Find groups like this one and get over the rocks with a little help. For when you do, you may just see the light until the next rock comes along.


Ever have any rocks in your path? How do you handle rocks/setbacks? Was this uplifting? Yeah. I did climb all those rocks.

Monday, November 8, 2021

A Teen Writer's Perspective

 

16 year-old novelist, Hermione Lee

Hi, everyone. I'm Hermione Lee. It's a huge honor to be invited to do a blog post here on Insecure Writers Support Group. In this post, I'll be discussing my journey of publication and the lessons I learnt along the way. 

I've always known I'd be a writer. Fortune smiled upon me when I was thirteen (a month before I turned fourteen), bestowing upon me a story idea inspired by the fountain in the middle of the courtyard in my school. I birthed a manuscript titled In the Name of the Otherworld the next year in February. 

The thought of completing a novel at my age thrilled me, but it also made me extremely pompous at the same time. I sent my manuscript to my aunt, who was an expert in English. Expecting a positive reply complimenting my incredible work, I waited patiently. 

And then came the phone call 

The feedback I reaped was far from my expectations. My aunt spotted every error in the manuscript I deemed a bestseller-to-be, from unreasonable scenes to trashy sentences. Thanking her, I decided to respect her opinion, although I thought to myself there was no need to heed her advice. I didn’t think there was anything wrong with it. 

During the next six months, I started writing a collection of fantasy adventure short stories inspired by the educational magazines our English teacher made us read. I ended up growing a lot, honing my craft and skills on creative writing. After I completed them, I went back to edit In the Name of the Otherworld. My growth and improvement allowed me to realize what was wrong with it. The prose was a nightmare, and the characters sounded like babies trying to dictate classical literature. The problem? I grew up reading not only books with elegant prose but also those with ridiculous wording meant to humor the readers. As a result, I didn’t have a definite style or tone of writing. In my prose, you'd spot a pretty metaphor here, but some cheap, colloquial wording there, which made the whole manuscript beyond awkward. 

I decided to rewrite my book, which was a draining project. It took me three months, but I finally succeeded in taming the monster. After a few more rewrites, I sent it to the Leapfrog Fiction Contest, expecting an award, which included publication. Again, my hope was shattered. Another rejection. 

It was about that time I started entering Writers of the Future, a quarterly fantasy and sci-fi short story contest. On the forum, I encountered many benefactors who selflessly taught novices like me all they knew. After giving In the Name of the Otherworld a few more rounds of editing and rewrites, I sent it on its way to World Castle Publishing, crossing my fingers for a green light. 

On that fateful Sunday morning four months later, World Castle Publishing sent me an acceptance letter and signed a contract with me. It was the best day of my life. My book then went into editing, and I got to work with a great editor who was very professional and loved her career. 

In the Name of the Otherworld garnered its first award in the first week of September (the Literary Titan silver book award), and was soon released. The reception in Taiwan stunned me. I was (and still am) #1 on the New Releases in the English YA fiction bestsellers list. It did not take long for World Castle to accept both the sequel and third book of the Otherworld trilogy, which puts a smile on my face every time I think about it. It's been a long way, but now as I retrace my steps, I wouldn’t change a thing about my journey. 

What I Learned

1. Don't tell yourself what you can or can’t do. Human potential knows no limits.

Too frequently do we self-reject. When I was outlining my second book, I told myself I was being ridiculous. There were crazy scenes—a haunted house scene, a scaling-a-fantasy-mountain scene, and a chase-in-an-arboretum scene. I made the grave mistake of staring at my outline for weeks instead of working on it. 

But when I got the project started, I realized it wasn’t that difficult at all. The writing process was easy, enjoyable, even. So next time a brilliant story idea strikes you, just write it! Miracles only occur when you believe in them. A story won’t write itself. You have to complete it. And in order to do that, you have to first believe you can. 

2. Embrace criticism. It is like medicine, bitter but beneficial.

There are two kinds of criticism—hate speech and constructive criticism. The former is vile and meaningless, yet the latter can be truly beneficial. 

I grew from criticism myself. Had my aunt been too shy to point out the absurdity of my plot and the unlikeliness of my characters, I would have mailed that manuscript out to a publisher and be rewarded with a well-deserved rejection. Next time when someone criticizes your work, listen closely. Are they making valid points? Would your story be better if you heed their advice? 

3. Never give up. Perseverance can yield rewards beyond your imagination. Don’t let your stories die in you.

As a writer on his / her journey of becoming an author, there will be setbacks—loads of them. People in your life may mock your efforts and discourage you from chasing your dreams. Don’t let them win. Prove them wrong. Keep writing and submitting, and you’ll get there.

In my journey, it took two and a half years to earn the contract for my first book. I’m glad I didn’t let my stories die in me and instead chose to write them down and get them published. Should I have given up or quitted halfway, I'd never know how much potential my story held. So I advise you all to do the same. Believe anything is possible as long as you've got perseverance and grit.


Hermione Lee 

Available Now 
Known for her debut novel In the Name of the Otherworld, Hermione Lee is a teen author born and raised in Taiwan, where everyone and everything in her life stimulated her rich imagination and inspired her to write. Although she prefers writing stories in her grandma's quaint, cozy home, she writes anytime and anywhere. She loves experimenting with words and discovering new formulas to beautiful prose. To her, words are portals that whisk her to whimsical worlds of magic. When Hermione isn't writing, she indulges herself in epic tales of fantasy, horror and adventure; but mostly, dwelling in her reverie. 

"Fight for what you believe in, believe in what you fight for." Hermione's life motto says a lot about her stories. This sentence best represents her journey of becoming a writer. She waged a constant war against invisible enemies - self-doubt, self-discrimination, and of course, countless rejections. However, these struggles only strengthened her will to succeed and pursue her ambition. Along the way, Hermione learned to stick to her goals, have humility and perseverance, and stay loyal to her own beliefs. Her personality is strongly projected on the characters she created; firm, unyielding, and with a thirst to prove themselves.

When Hermione first started writing, she had eyes for only the fame and recognition accompanied by success; however, her opinions have matured greatly during the past few years. She continues to write stories nowadays, but out of sheer interest and passion rather than gaining profit.

 

Wednesday, November 3, 2021

 


Our Twitter handle is @TheIWSG and hashtag is #IWSG.

The awesome co-hosts for the November 3 posting of the IWSG are Kim Lajevardi, Victoria Marie Lees, Joylene Nowell Butler, Erika Beebe, and Lee Lowery!

IWSG November 3rd


Greetings Fellow Insecure Writers, 

First off, just wanted to let you know:
The IWSG is looking for an IWSG Instagram admin. 
If you are an IWSG member, good with Instagram, and are interested:

CONTACT: Alex at alexjcavanaughATgmail.com OR at the IWSG adminATinsecurewriterssupportgroup.com. 

Every month, we announce a question that members can answer in their IWSG post. These questions may prompt you to share advice, insight, a personal experience or story. Include your answer to the question in your IWSG post or let it inspire your post if you are struggling with something to say. 


Remember, the question is optional!


November 3 question - What's harder to do, coming up with your book title or writing the blurb?

I think they are both equally tricky. The blurb is probably my first pick as for me it is the hardest to figure out. The blurb's job is not to tell the story of your book. Its job is to hook the reader, intrigue with key elements of the story (not spoilers), and remove their resistance to clicking buy to sell the book.   

When posting the blurb on Amazon, your best bits and the hook are in the first paragraph, which is above the fold, meaning, it the first little bit that shows on the page when they go in to read the blurb.  To see more you have to click on read more. 

This is an example of a good blurb that made me buy from one of my favorite authors, Darydna Jones. The blurb that is visible when you first click on the book: 

The Betwixt Series:
A Paranormal Women's Fiction with a bit of class, and a lot of sass, for anyone who feels like age is just a number!

Divorced, desperate, and destitute, former restaurateur Defiance Dayne finds out she has been bequeathed a house by a complete stranger. She is surprised, to say the least, and her curiosity gets the better of her. She leaves her beloved Phoenix and heads to one of the most infamous towns in America: Salem, Massachusetts.

That first line has a keyword SEO word in it naturally, Paranormal Women's Fiction. Anyone searching for new reads in this genre will probably get this recommendation on their Google search page. So she is clearly targeting a certain reading audience.  

The blurb also appeals to women over a certain age, and then continues with tidbits about life that most of us have experienced in one form or another.  Then she adds in the location which is another hook, Salem, Massachusetts.  And if you love reading paranormal light hearted stories involving witches, well, it got me.  

So far, I have read every book in the series, and waiting for more.  The big thing about it is the heroine is relatable and dealing things we deal with, in a interesting place that promises adventure with lots of problems (conflict is implied).  And who wouldn't be interested in a house that was just given to them, and by family you didn't even know you had.   Yes, one I highly recommend.  

I posted this on my blog here as well. 



Support your fellow insecure writers. Our November IWSG Goodreads Book Club Member Reads are below—Discussion Day Nov. 25th.



 Broken Angel by Sylvia Ney: 
Lyon's Legacy: Catalyst Chronicles by Sandra Ulbrich  Almazan: