Monday, December 23, 2019

Merry Christmas



Every year, adults try to beat the kid-friendly-free-toy system and send their wish lists to Santa. This year has been no different. These letters were caught in Santa’s spam filter and he forwarded them to me for investigation.
Anyone recognize this group of goons? They call themselves writers. I call them at large.

Sincerely,

Irvin Elf
North Pole Bureau of Investigations












Merry Christmas and Happy Holidays from the IWSG team! 

Monday, December 16, 2019

Be Kind To Yourself

As writers, the work can be mentally and emotionally draining as you grind away on those manuscripts. Creative slumps, dry spells, and writer’s block hit all writers from time to time.

Writers can be very neglectful when it comes to self-care, especially those who work from home and know that there are bills that need to be paid, looming deadlines, household chores and children who need your constant attention.

It can be quite daunting.

Pause.

Take a deep breathe.

A reminder that yo
u need to give yourself permission to sit back and let the well refill.

As you reflect on the year that has been, here are some reminders:
1. Write for 20 minutes, then stretch your arms, back, and shoulders.
2. Take frequent breaks. Go for a walk. You can people watch and observe and listen.
3. Don't check your sales figures every single day.
4. Buy some new accessories (maybe a bullet journal or colorful post-its)
5. Remember that everyone feels like an impostor sometimes.      

6. Have a little bit of writing-related fun where you give your inner writer a little TLC such as,
doodling or writing some bad poetry. Alleviate the pressure from yourself by not expecting the writing to become “a thing.”
7. Read for the sake of reading.
When was the last time that you picked up a book just to enjoy the experience? Too often writers seem to focus on craft books instead of reading for the sheer love of reading.
8. Accept that you'll always have room to grow so you
need to stop beating yourself up
for not being 100% productive all the time - remember that perfect is the 'enemy' of good.

Are there any other tips you can add to this list?

Monday, December 9, 2019

Avoid These Facebook Ads Oversights

Image: https://unsplash.com/photos/tLZhFRLj6nY]

Facebook is easily the most popular social media platform, with more than 2.4 billion monthly active users and almost 1.6 billion visiting the site every day. This makes it the perfect opportunity for businesses to connect with an audience and find people interested in their products.



Unfortunately, Facebook marketing isn’t always that simple, and the majority of small business owners say their Facebook ads don’t reach their goals. However, if you’re not currently partnered with an agency but are looking for some quick tips to avoid simple errors that hold your campaigns back and hurt results, this article can help. Here we will cover a few of the most common Facebook marketing mistakes and help you develop more effective strategies.
 
Failing to Create a Clear Plan
Small business owners are typically responsible for a wide range of tasks, and this makes it difficult to give Facebook marketing the attention it deserves. If you advertise on Facebook without a clear vision for each campaign, you probably won’t achieve your marketing goals.
It’s important to match each goal to a relevant statistic that can measure the success of each ad. If you’re looking to increase brand awareness, for example, you shouldn’t focus on conversions when evaluating your results. Instead, look at metrics like impressions and cost per impression to determine how successful you were in reaching out to new users.
 
Failing to Target the Right Users
Facebook allows you to pay for each ad based on either impressions or clicks, but these numbers don’t always reflect the value of your content. If you target users who aren’t interested in your brand’s product or core message, impressions and clicks probably won’t lead to many sales.
Since Facebook’s audience is so large, it’s critical to use every tool at your disposal to target the right users. Targeting small audiences with granular similarities allows you to create personalized content that responds to that group’s needs and desires. Personalization is one of the most important factors in digital marketing on any platform.
 
Failing to Consider the Customer Journey
Sales are the goal of every campaign, but you can’t expect each ad to lead to an immediate sale. Customers often need to interact with a brand a number of times before they feel comfortable enough to make a purchase, and trying to sell products to cold leads almost always leads to a poor conversion rate.
Rather than pushing sales with every ad, start the sales cycle with engaging, interesting content that keeps your audience’s attention. From there, you can start moving each lead toward a conversion.
 
Failing to Retarget Existing Audiences
You should also take advantage of Facebook’s powerful retargeting features to market to users who have already interacted with your brand. Retargeting ads convert much more often than ads targeting cold audiences, and you can personalize retargeting campaigns to respond to customer behavior. It’s important to build your Facebook ads for long-term engagement in addition to short-term sales. 
You can create retargeting audience based on website interactions by setting up the Facebook pixel on your site. Facebook also allows you to develop audience using other factors like app activity, customer profiles, and previous Facebook engagement. Start building retargeting audiences by accessing the “Audiences” section in Ads Manager.
 
Facebook marketing is a complicated process, and it’s easy to make these simple mistakes that decrease sales, engagement, and audience retention. Addressing these issues will help you improve your Facebook results and achieve a higher ROI on your next campaign.
********

Thanks to Rae Steinbach for contributing this post today. Rae is a graduate of Tufts University with a combined International Relations and Chinese degree. After spending time living and working abroad in China, she returned to NYC to pursue her career and continue curating quality content. Rae is passionate about travel, food, and writing (of course). You can follow her on Twitter - @araesininthesun

Wednesday, December 4, 2019

Insecure Writer's Support Group and Anthology Contest Winners!

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.


The awesome co-hosts today are Tonja Drecker, Beverly Stowe McClure, Nicki Elson, Fundy Blue, and Tyrean Martinson!

December 4 question - Let's play a game. Imagine. Role-play. How would you describe your future writer self, your life and what it looks and feels like if you were living the dream? Or if you are already there, what does it look and feel like? Tell the rest of us. What would you change or improve?

Please note – since the next first Wednesday falls on New Year’s Day, we will be posting for the IWSG on the following Wednesday, January 8!



Announcing the winners of the IWSG Anthology Contest!

Coming May 5, 2020 -
Voyagers: The Third Ghost
Middle grade historical/adventure

Featuring these stories and authors:
The Third Ghost – Yvonne Ventresca
Winter Days - Katharina Kolata
Feathered Fire – Roland Clarke
The Ghosts of Pompeii – Sherry Ellis
Dare Double Dare – Louise MacBeath Barbour
The Blind Ship – Bish Denham
A World of Trouble – Rebecca M. Douglass
The Orchard - Beth Anderson Schuck
Return to Cahokia – L.T. Ward
Simon Grey and the Yamamba - Charles Kowalski

We’d like to thank our amazing judges:

Elizabeth S. Craig, author and honorary judge
Elizabeth is the bestselling cozy mystery author of the Southern Quilting mysteries, the Myrtle Clover Cozy Mysteries, the Village Library Mysteries, and Memphis Barbeque mysteries for Penguin Random House, Midnight Ink, and independently. Follow her on Twitter where she shares writing links @elizabethscraig or at her blog where she offers tips for writers. She lives in Matthews, North Carolina with her husband and is the mother of two.

Dianne K. Salerni, author
Dianne K. Salerni is the author of the The Eighth Day fantasy series and historical novels, The Caged Graves and We Hear the Dead. The Roosevelt Ghosts, featuring young cousins Eleanor and Alice Roosevelt and a vengeful ghost, will be released in 2020 by Holiday House.

Lynda Dietz, editor
Lynda has been fascinated with the written word since her earliest years of reading the back of the cereal box at the breakfast table. She’s now a copyeditor who works with authors in a variety of genres, both in fiction and nonfiction. She’s had a blog for over six years, and shares writing tips from an editor’s point of view with a healthy dose of snark and silliness. She’s also an unapologetic—but always encouraging—grammar thug.

S.A. Larsen, author
S.A. Larsen is the international award-winning author of the middle grade fantasy-adventure MOTLEY EDUCATION and the young adult contemporary-fantasy romance MARKED BEAUTY. When she’s not chasing her characters around a graveyard or antagonizing them with young love, she can be found in Maine with her husband and four children. Visit her cyber home at S.A. Larsen Books.

Rachna Chhabria, author
Rachna Chhabria's imagination has taken her all over the world and introduced her to all kinds of creatures. She is the author of Festival Stories Through The Year, Lazy Worm Goes on a Journey, The Lion Who Wanted to Sing and Bunny in Search of a Name. A columnist with Deccan Chronicle and The Asian Age, her stories have appeared in Young World, Open Sesame, Tele Kids and Deccan Herald Student Edition newspaper, as well as in several school textbooks. She also taught creative writing in a college for many years. As a child she loved listening to stories, now she loves writing them.


Lindsay Davis Auld, agent - Writers House
Lindsay first started at Writers House in the West Coast office, where she apprenticed with Steven Malk and has had the opportunity to work with some of the very best authors and artists in the industry. She is actively building her list, and is seeking picture book, middle grade, and young adult manuscripts. She has always been passionate about children's and young adult literature, and, as an agent, she is eager to help bring fresh voices, characters and stories to a new generation of readers.


Tonja Drecker, author
Tonja Drecker is a writer, blogger, children’s book reviewer and freelance translator. After spending years in Germany exploring forgotten castles, she currently resides in the Ozarks with her family of six. When she’s not tending her chickens and cows, she’s discovering new adventures, nibbling chocolate and sipping a cup of tea.

David Powers King, author
David's works include WOVEN, THE UNDEAD ROAD, and FULL DARK: AN ANTHOLOGY. He currently resides in the Mountain West with his wife and 4 children.



And a big thanks to everyone who entered! There were some great stories.


Our previous IWSG anthologies -
Masquerade: Oddly Suited
Tick Tock: A Stitch in Crime
Hero Lost: The Mysteries of Death and Life
Parallels: Felix Was Here


Nominations for best writing website are now open at The Write Life!
Please go nominate the Insecure Writer’s Support Group.



The WEP Challenge for December – Footprints.

And the theme came from our very own IWSG Admin, Tyrean Martinson!

Footprints in the sand...Footprints in the snow...and they don't have to be human - alien, monster, unknown creatures...all up for grabs.


The IWSG Instagram prompts and announcements for December:




The next #IWSGPit will be in January 15, 2020, 8:00 am - 8:00 pm Eastern Standard Time.
Don’t miss it!

Did you know the IWSG has a Goodreads Book Club? Why the heck not?
If you’re on Goodreads, join this group to learn and grow as a writer.




How would you answer the question today? Participating in #IWSGPit in January? And are you ready for Voyagers: The Third Ghost?

Monday, November 25, 2019

Quick and Tidy Tips to Streamline Editing

By Gina Ardito

    I’m not only an author; I’m a freelance editor, too. As an editor, I want to give my clients every opportunity to clean up their manuscript before it gets to me. The cleaner your manuscript is when it hits my desk, the less you pay to edit the stuff you missed and the better your chances of catching a publisher’s eye. Let me help you achieve your writing goal with some quick and tidy editing tips.
   Have you just typed The End and can’t wait to dig into the edit process? Stop. Put that manuscript aside for a while before reviewing it. Give your brain time to reboot so when you come back to the story, you’re fresh, and so is the story.
    When you’re finally ready to edit, open the document. Before you do anything else, save it with Edit or Revision added to your original title. This way, you’ll always have your original document, should you need to refer to it at a later date. On your revision version, change the font style and enlarge the font size. With a new style and size, your eye will more easily catch errors you’d normally miss.
    Use a standard pen, not a marker or a gel pen that smears. Choose a color you like to make the work happier. Don’t opt for red unless you truly love it. Go with purple or green—avoid black, which won’t stand out against your type on the printed page.
    Find a comfortable spot, a different site than where you write. Don’t sit at your desk. Just like with your font, different surroundings make it easier for your eyes to see the actual words on the page. Go outside, to another room, or a coffee shop with your printed manuscript. Now, let’s start editing.

    Backstory: Only include information that impacts the scene.
    In Writing the Breakout Novel, Donald Maass advises, “Remember that backstory is, for the most part, more important to you, the author, than to your reader.”
    If you’re unsure if you need particular information in a scene, try reading the scene without the passages detailing that information. Was the scene hindered by its absence? If the answer is “no,” delete the backstory.

    Description: Let’s say your character’s plane is going into a tailspin. Is now a good time to describe the color of her hair and eyes? Do green-eyed redheads crash faster than blue-eyed blondes? Then it’s not important at this juncture. Find another place for such information in the manuscript. Or don’t. If it doesn’t impact the scene, let your readers envision the characters any way they like.

    Adjectives and adverbs: Sprinkled in, adjectives and adverbs add zest. Too much, and you’ve ruined what could have been a masterpiece.
    In The First Five Pages, Noah Lukeman advises writers to cut excess:
    “…(1) where you use more than one adjective or adverb.” For example, “hot, humid, sticky” = “stifling.”
    “…(2) where you’ve used commonplace or cliché adjectives…” For example, “cold as ice” = “icy.”

    Modifiers: Useless words add nothing and should be deleted when possible. Are any of these familiar to your work?
almost
began
even
felt
heard
just
nearly
quite
rather
really
so
suddenly
that
very

    Dangling Participles: Search for sentences that begin with an –ing verb to find dangling participles. A dangling participle occurs when you modify the wrong noun. “Striding across the room, his eyes were drawn to her.” This sentence reads that “his eyes” (the subject) were striding across the room. “Landing at the bottom of the stairs, the pain shot through her bones.” The pain landed at the bottom of the stairs.
    Danglers also happen with words that end in –ed, so be alert! “Whipped into a froth, the chef poured the eggs into the pan.” I think the writer meant the eggs were whipped, not the chef.
    Starting a sentence with an –ing word can also lead to creating two simultaneous actions that can’t happen simultaneously. “Kicking off her shoes, she removed her socks.” You can’t do both at once. Try “After kicking off her shoes, she removed her socks.” Or “She kicked off her shoes and removed her socks.”

Contractions: “Cannot” = “can’t,” “who has” = “who’s,” and so on. Contractions speed up pacing and make your author voice sound more natural to the reader.

Dialogue: Avoid the “As you know…” trap. For example:
    Jenna flounced to the couch and collapsed in a heap of white tulle. “I don’t want to marry Stuart. I wish we’d stayed in New York.”
    “But, Jenna,” her mother said. “We had to move for your father’s health. The soot and grime of the city was too much for his lungs. He has severe asthma, you know.”

    This dialogue doesn’t move the story forward. The reader is probably more interested in Stuart, but the conversation focuses on the father’s backstory, which isn’t pertinent to the scene.
    When using dialogue tags, stick with “said,” “replied,” “exclaimed,” and “asked.” Avoid “responded,” “opined,” and “queried.” Better yet, use an action with the dialogue to convey mood.

    Narrative arc. Every story must have these key components:
    1. Opening hook
    2. Introduction of conflicts
    3. Initial success
    4. Stumbling Blocks
    5. Sub-plot, downfall, or introduction of new conflicts
    6. Ease of some issues, but original problem still looming
    7. Ticking clock/conflicts turn against protagonist
    8. Black Moment
    9. Climax
   10. Denouement

A few other common errors to look for:

    Character names. Make sure you use the same name and spell it the same way throughout.
    Character traits. Give each character a unique tic or reaction to emotional upheaval and a distinctive way of speaking, with phrases used only by them.
    Loose ends. All tied up?
    Continuity. If the villain has a gun in Chapter 3, he shouldn’t use a knife in Chapter 4.

    While editing, remember: Love the story, not the words. Be ready to kill your darlings if they don’t work. Best of luck!


Gina Ardito is the award-winning author of contemporary, historical, and paranormal romance, currently published by Montlake Romance and independently. In 2012, she launched her freelance editing business, Excellence in Editing, and now has a stable of award-winning clients, as well.
She’s hosted workshops around the world for writing conferences, author organization chapter meetings, and library events. To her everlasting shame, despite all her accomplishments, she’ll never be more famous than her dog, who starred in commercials for 2015’s Puppy Bowl.
Her newest release, MEMORIES IN DECEMBER, is available now. For more information on Gina and all her books, visit her website.

Monday, November 18, 2019

Boost Your Launch By Getting Reader Reviews


Pixabay.com


Boost Your Launch By Getting Reader Reviews
Services that help authors get seen.

What do I know?

I feel like a fake.   Like I know nothing about writing, despite that, I joined in partnership with another writer, Vanessa Wells, to create themed anthologies.  We formed Stormdance Publications.  It has been a bit scary.  It has been challenging, overwhelming, and rewarding. 

What have I learned?  Here is what comes to mind because it is my current focus.  Getting our books in front of readers and getting reviews, which is important for authors who want their books to keep selling.

One thing I did was to learn how to create arcs in Mobi, ePub, and PDF, from Vanessa’s Word Doc she uses to upload our books to Amazon, using Scrivener. 

Pixabay.com
That done we now need a way to distribute our ARC’s and get them out to a larger audience if possible, but how?  We have two websites Writer’s Gambit and Stormdance, but that is not enough.  There are Facebook and Twitter, still not enough.  Not ready for Instagram.

No, we have not tried book review sites or podcasts, but that idea is on the table for the future.   We have not even scheduled a blog tour yet.  It's coming.   Our focus right now is "just do".  Do something, try something, experiment, and figure out the process that works best for us as a team.

We are hoping to get 20 reviews on each Grumpy Old Gods volume.  As the reviews build, we plan to experiment a little with paid ads and giveaways, as we can afford it.  We are learning about Amazon’s keywords, categories, and algorithms. 

We are sitting on 15 reviews for Grumpy 1.  We have had more reviews, but Amazon keeps removing them for no good reason, or we would have already hit twenty with the first volume.  Like volume one, Grumpy 2 has had more reviews then what shows.  

Grumpy 3 has two reviews, so far.  We are still working on that one as it just released October 30th.  I admit I have dropped the ball a little with Grumpy 3.  We are currently working to release Grumpy 4 by the end of November 2019. 

In our pursuit to get reviews, we have tried:  


For Grumpy 1 we tried Booksprout.  The first 20 downloads are free.  There is no integration of email such as MailerLite, MailChimp, so although it does tell you how many times it has been downloaded up to 20, you cannot connect to your email provider to know who is downloading it or recontact.

I also received two or three emails from people who had problems downloading from Booksprout.  Booksprout was good to let me know about those who contacted about problems and forward their email so I could email them directly. 

I also offered the ARC for review on the Booksprout site because you can do that.  We had one or two takers that way.  I had about 15 downloads on the account I set up and Vanessa had 10 on hers.

I almost forgot.  The first tier plan $20 you get automatic reminders, ebook distribution, unlimited pen names, unlimited arc reviewers, access to reviewer community, private arcs, strong arc freeloader protection, blocks all known pirates, identify & block pirates.  This one is in the running still.  


I looked at Book Funnel, but other sites beat their offer in their free plan and their first-tier plans.  I do like Book Funnel.  It is not as economical for what you get for the money as others if money is a huge issue for you.   It’s a nice site.

PROLIFIC WORKS (The old InstaFreebie)

For Grumpy 2 we tried Prolific Works.  I love the revamp and name change.   The free version, Basic, you get unlimited giveaways and distribution (downloads) but no email provider integration.  The next tier of the plan is $20 a month plan.  You get everything in Basic. 

PLUS: You can add subscribers to a mailing list, optional MailerLite or MailChimp integration, Prolific Works acceleration to the right readers, fully customizable giveaways, track giveaway success.   All plans include: Ability to set limits and expiration dates for giveaways, optional DRM, eligible for additional promotions to readers on Prolific Works

As a reader, I like Prolific Works over Book Funnel because they keep track of all the books you have downloaded.  You can see the past books you have downloaded in a bookshelf through their services your account as reader or author.    

I had fewer downloads on this site, about 8, but I was late getting the link out too.  


With Grumpy 3 I found StoryOrigins.  StoryOrigins is in open beta since it is a new platform, so all features are free to everyone for now, including email integration.   I am working on getting our links now, so do not have any numbers to share. 

Yes, I canceled my Prolific Works subscription and went back to their Basic plan for now. 

StoryOrigins offers group promos, newsletter swaps, collect reader email addresses, integrate email service providers, get reviewer history & completion rate, automate review tracking & follow-up, distribute & track audiobook promo codes, unlimited file delivery, tech support for readers, schedule newsletter content, Facebook tracking pixel, and Amazon affiliate tags.  That is quite a bit all free for now.

We are using StoryOrigins for our coming releases.  We have a call for submission out for Grumpy 5, deadline December 1st with publication in January 2020.  We will post submission calls for Grumpy 6-Love gods and Grumpy 7-Trickster gods at the end of this month November 2019 with the release of Grumpy 4. 

I may also use Booksprout again as well, as we did get several downloads there. Another site I learned about but I have not tried is BookSirens.com similar to Booksprout. 

Getting reviews and getting seen are problems we all face.  Using sites like these make some things easier and gives you exposure to avenues such as newsletter swaps and cross promos with other authors on the site. 

I am not ready for the swaps and cross promos, yet, but I am working my way there. 

Monday, November 11, 2019

How to Evaluate Your WIP and Figure Out Your Next Steps


Welcome, Mary Kole

As a literary agent and now a freelance editor, I’m heavily involved in a writer’s “What’s next?” question. This is a question I get over and over from writers. Whether they’ve just typed “The End” on a manuscript for the first time, or they worry that they’ve reached the end of querying a project. Whether they’re deciding how to submit, or wondering if it’s time to put it in the desk drawer.

The two most important crossroads that writers face are, “Is my project ready to submit?” And, “This project hasn’t succeeded as hoped. Is it time to give up?” Let’s attempt to unpack both of them here.

To me, there are three considerations that determine your next steps in either scenario. The first is your own opinion of the project. Try to step back and consider it with clear eyes. Is it solid work? Are you proud of it? Do you have any deep-down-secret worries about it? Are you scared, basically, or are you stoked? Your own opinion of the project can never be objective, of course, but your gut as a writer is still something to consider. Very often, writers discount their own assessments because they feel insecure. (Shout out to all of you Insecure Writers!) 

But too often, I work with clients who have been steered away from their own instincts by well-meaning critique partners or professionals. Outside feedback is very important—see the next point—but your own understanding of your project is crucial, too. Ask yourself point blank: Do you like it? Do you see any potential flaws?

If you have not submitted yet and are wary because you see opportunity for growth, the project is not yet ready to submit. You want to put your best foot forward. Address any glaring or niggling issues before you move forward. The same thing if you’ve already submitted, but without success. If you know what the issue is, then deal with it sooner rather than later. Make sure you satisfy yourself first. Many mistakes can be prevented with this simple advice.

The second consideration is outside feedback. Before you decide to submit, or decide to give up on a project, make sure you get at least one outside perspective on your manuscript, whether it’s a critique partner or freelance editor. Many writers shy away from this because they don’t know where to find a good critique partner, or they don’t want to pay for an editor. The former concern is exactly why I’m launching Crit Collective this month, it’s a free forum dedicated to critique partner matchmaking. Check it out! 

Because writers can never be truly objective about their own work, having outside perspective is crucial. Make sure you check this box before you decide to submit, or decide to give up. Even if your project has already been through several rewrites, new eyes on it will potentially inspire one last revision—one that might make all the difference. Make sure that you get someone you can trust, and who has experience either editing or reading widely in your category. They will provide you with data that you can’t possibly give yourself, so don’t skimp on this step.

The third consideration when you’re deciding what to do with your WIP is completely external: the market. I often tell writers not to fixate on trends or the market when they’re writing. Trends come and go. But when it’s time to either submit or quit (at least on a particular manuscript, for the moment), the market becomes important. What’s going on in the industry? Are people sick of your particular category? Are there larger forces at work that make your project either more or less marketable right now?

This is the time to pay attention. If you’re considering submitting for the first time, some market research will help you position your pitch intelligently. (You can take a ten-hour self-guided course from me on the topic of the research and submission process, the Manuscript Submission Blueprint.) If you’re deciding whether or not to give up on a project, check the market again. Something may have shifted. For example, a few years ago, the female scientists market was a bit of a bit of a backwater. Now it’s a red hot segment! 

Maybe some new opportunities have opened up since you last researched your place in the current publishing world. If you’ve been on submission with a project a few times, you have probably spent at least months waiting. Maybe the market is now worse for your idea. But it could also be better.

Putting it all together, I recommend three gut checks. First, how do you feel about the project? Whether you’ve just finished it and have some qualms, or whether you’ve been submitting for five years but you still feel some hope. Next, how do qualified others feel about it? Have you gone back for one more round of feedback? If there are still things you want to do with the project in terms of revision, I’d say you should make the final attempt. You never know. Finally, how’s the market temperature for your ideas? Things change over time, so it doesn’t hurt to check in with the industry.

Sometimes, an idea is past or ahead of its time. This can potentially be fixed by waiting for the market to change. Sometimes, the current execution of your idea isn’t working. This can be fixed by listening to yourself and others. Sometimes, it really is time to let go of a project, at least for now. This can only be fixed one way: Starting the exciting creative process on your next idea!


Bio:

Former literary agent Mary Kole provides consulting and developmental editing services to writers of all categories and genres, working on children’s book projects from picture book to young adult, and all kinds of trade market literature, including fantasy, sci-fi, romance and memoir. 

She holds an MFA in Creative Writing and has worked at Chronicle Books, the Andrea Brown Literary Agency, and Movable Type Management. She has been blogging at Kidlit.com since 2009. Her book, Writing Irresistible Kidlit, a writing reference guide for middle grade and young adult writers, is available from Writer's Digest Books.
Links:

Editorial Services Website: https://marykole.com
Company: https://goodstorycompany.com
Children’s Writing Blog: https://kidlit.com