Monday, March 6, 2017

Why Switch Your Point-of-View?



 In editing stories I wrote ages ago, I can’t help noticing how my writing style has changed. I’m worse than neurotic when it comes to editing, so it takes me longer that most to feel that process is complete.  Sometimes it happens that I have to adjust the point of view depending on the story. There's one particular novel that I wrote in third person omniscient because of the unorthodox way in which it is told.  

Some things had to be revealed from the perspective of adults and I wanted readers to have an up-close and personal experience, no matter which character was on stage. I think I eventually did a decent job of that in going for deep point of view.  The filters between reader and character/s were removed, which created a rich reading experience.  

An aside here—every time I edit a book written ages ago, I regret not learning the craft properly before I started writing novels. It would have saved me a lot of time and energy as it pertains to editing.  

By changing the set-up in the novel I mentioned, I was able to tidy things up nicely for publication.  That said, have you ever had to overhaul a novel and switch up the point of view? What’s your take on having different points-of-view—including that of an adult—in a YA novel? Which point of view do you prefer writing in?  

Wednesday, March 1, 2017

Insecure Writer's Support Group and Twitter Pitch Event!

It’s time for another group posting of the Insecure Writer’s Support Group! Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. I encourage everyone to visit at least a dozen new blogs and leave a comment. Your words might be the encouragement someone needs.


Our awesome co-hosts today are Tamara Narayan, Patsy Collins, M.J. Fifield, and Nicohle Christopherson!


Optional March Question - Have you ever pulled out a really old story and reworked it? Did it work out?

We have a lot of cool things in the works for our members, including another anthology opportunity and an upcoming Goodreads book club group.


Hashtag #IWSGPit

July 27, 2017, 8:00 am to 8:00 pm Eastern Time

All writers and authors are invited to participate in our very first Twitter Pitch. Create a Twitter-length pitch for your completed and polished manuscript and leave room for genre, age, and the hashtag. On July 27, Tweet your pitch. If your pitch receives a favorite/heart from a publisher/agent check their submission guidelines and send your requested query. Many writers have seen their books published from a Twitter pitch - it’s a quick and easy way to put your manuscript in front of publishers and agents.

We invite all of you to join us that day! Authors with a publisher or agent, please ask if they would like to participate or pass along their contact information to the IWSG. We intend for this to be a twice yearly event, July and January, giving our members a great opportunity for publication. Help us spread the word!

See the IWSG Twitter Pitch page for details and a sample email to send to your publisher or agent.

New Swag!

Check out the IWSG Swag page for some cool new stuff, including mugs and erasers.

The tiny profit we make from sales of IWSG swag goes to fund opportunities to make the IWSG better for everyone and extend our reach. We recently created our own business cards and have other exciting options in the works.

Please support the next IWSG anthology, Hero Lost: Mysteries of Death and Life, by signing up for the Thunderclap campaign.

The anthology authors are working hard to market the book. They’ve also set up a Hero Lost website, covering everything from the theme and genre to the stories and authors.

Last but not least, we need co-hosts for April, May, and June. Co-hosting means a lot more visitors to your site that day and it’s a lot of fun. Please leave a comment if you can help.

Monday, February 20, 2017

Story Trumps Structure with Steven James, Award-Winning Author


Today I’d like to welcome Steven James, the author of the award-winning book STORY TRUMPS STRUCTURE. He is also the author of the thriller EVERY CROOKED PATH. I asked him 5 questions about writing organically, how to build tension, and more. Welcome, Steven!

Get it on AMAZON


1. Why should writers worry more about story and less about structure?

Often, structure gets in the way of excellence. As soon as you sit down to write three or four acts, or whatever it might be, you’re using an easily-identified paradigm and could end up with a cookie-cutter story. Instead, focus on pursuit, desire, believability, escalation, and so on. All of the narrative forces that help shape a story, regardless of its length or structure. 

2. For writers who struggle to write organically, without an outline, what piece of advice can you give them?

Ask yourself four questions, and you will never be without the next moment of your story. First, what would this character naturally do? Then have him or her do it always. Allow them to act in character and to act believably. Second, how can I make things worse? This relates to the narrative force of escalation and allows the story to continue to build toward a climax. Third, how can I add a twist? Look for a way to end the scene in a manner that is unexpected an inevitable. Fourth, what promises have I made that I have not yet kept? Then look for a way to keep them. 

3. What is one writing rule that you hear all the time that you believe should be broken?

Plot out your story before you write it. This ends up forcing so many stories into a corner and into predictable patterns. Allow the story to emerge as you work on it, asking the questions that I just went through, and the story will have a vibrancy that you never realized before that it could have.  

4. Which elements should writers focus on to create engaging stories?

Write stories that have emotional resonance by looking for struggles that your character has that readers will be able to identify with. Keep everything believable and don’t confuse your readers. Confusion will end up trumping any other reader response. For example, if you want them to be in suspense but they’re confused, they won’t be in suspense. If you’re trying to build romantic tension and they’re confused by what’s going on, they won’t be engaged. 

5. What is one thing a writer can do to build tension in a story?

Allow readers to be aware of danger that the character within the story is not aware of. For instance, readers know that there’s a bomb in the car that will ignite when a key is placed in the ignition. Then, readers will worry as the character approaches the car, unlocks it, and positions himself in the driver’s seat. No matter what genre you write in, building tension and suspense will help with reader engagement. 


BIO:
Steven James is a national bestselling novelist whose award-winning, pulse-pounding thrillers continue to gain wide critical acclaim and a growing fan base.

Suspense Magazine, who named Steven’s book THE BISHOP their Book of the Year, says that he “sets the new standard in suspense writing.” Publishers Weekly calls him a “master storyteller at the peak of his game.” And RT Book Reviews promises, “the nail-biting suspense will rivet you.”

Equipped with a unique Master’s Degree in Storytelling, Steven has taught writing and storytelling on four continents over the past two decades, speaking more than two thousand times at events spanning the globe. In his podcast “The Story Blender,” he interviews leading storytellers in film, print, and web. Listen now to any of the dozens of archived podcasts for free by visiting his website www.thestoryblender.com.

Steven’s groundbreaking book on the art of fiction writing, STORY TRUMPS STRUCTURE, won a Storytelling World award. Widely-recognized for his story crafting expertise, he has twice served as a Master CraftFest instructor at ThrillerFest, North America’s premier training event for suspense writers. 

Find Steven:


Thank you for taking the time to answer these questions, Steven. We are thrilled to have you as a guest. :)


QUESTION: Do you write with or without an outline?