The Recharge Window

 

Writing is a long road. Sometimes the road goes smoothly, but other times the road goes through so many pot holes, stupid gates with stupid locks, down trees, and muck that you may not think you will ever see civilization again. What? You never experienced a gate that protects another gate that protects a house no one lives in before? Okay. Maybe that is less writing and more day job. Literal roads like that stink. Trust me.

Lots of times we drive on through. We push and sometimes it works out great. Other times not so much. You get stuck in the deep, dark woods and have to wait for someone to pull you out. Only to find you have no cell service. That would be when the voices in your head decide to run away. But by pushing, did they really run? They could have been telling you, much like your body when you over exercise, that they need a break and you didn't listen. Now they aren't listening to you.

It's been said many a time this time of year to break and take time with family. That is true. Do it. Real life has to take priority in many a case, but don't rely on the "magic" day. Much like new years where many throw words around like "fresh" or "new start" or some other delusion, going until certain stops like the holidays isn't necessarily going to help you write more.

Your mind needs a break when it needs a break. It may be a few weeks in December or it may be April Fools day. Or Barbie in a Blender day. Yeah. That's a thing. There may never be a rhyme or reason to it. It may never have a certain schedule. But if you force it, you may end up stuck in the deep, dark woods and having to wade through mud to get a cell signal before the voices finally come back.

So my convoluted and run-on point would be to not wait for anything. If you need a break, no matter when it is, take it. If you want to start an exercise routine then do it. You can enjoy family time, writing, and many other aspects of life any time of the year. You just have to make a conscious effort to do so and not buy into the "magic" or "fresh" or whatever other words that make little practical sense are thrown at you.

And hopefully by taking that break when you really need it and not when a schedule or holiday dictates, you will find yourself a more productive writer. Unless you are productive another way. Then do that! Don't ever change something that works. Even if a rhyming cat tells you to.

Do you believe in a fresh start with a new year? Do you think there is a magic day? Have you ever gotten stuck down a long crappy road? Have you ever pushed yourself too far and found you couldn't write anything? Do you wait for a certain time or take the break when you need it?

And don't forget to have your tweets ready to go for:

The next #IWSGPit will be in January 20, 2021

8:00 am - 8:00 pm Eastern Standard Time

Create a Twitter-length pitch for your completed and polished manuscript and leave room for genre, age, and the hashtag. On January 20, 2021, Tweet your pitch. If your pitch receives a favorite/heart from a publisher/agent check their submission guidelines and send your requested query.

Many writers have seen their books published from a Twitter pitch - it’s a quick and easy way to put your manuscript in front of publishers and agents. 

Go HERE for more info and the rules!

From Solitude to Connection: Jackie Fender from Creative Colloquy on Starting a Writing Community with Open Mics and More

 

If you are reading this, you can likely attest that the action of writing, the very being of a writer is a solitary endeavor.

Though the process of writing tends to be a very raw, vulnerable, and emotional experience, the art of storytelling is an extrovert by nature. From the dawn of time, communities have gathered to narrate tales through the tradition of oral storytelling while gathering around an open flame, to joining over a shared feast to connect and conspire. It is in our instinctual nature to weave tall tales for others.

For a moment in history, I served as Managing Editor for a local indie lit magazine. Though a short stint, it was through that opportunity that I connected with many of my peers who shared my affinity for the written word and from there friendships blossomed. Even after the demise of the literary publication that brought us together, it was over shared drinks and morning coffees a common, reoccurring topic of discussion emerged. “Would it be cool if...” Wouldn’t it be cool if we had a platform to share short stories? Wouldn’t it be cool if we could connect for a regular open mic? Wouldn’t it be cool to meet other writers in the area…and so an idea, and then a plan formed. It was not my idea alone, it was a group of us, daydreaming about the potential of a thing.  

And in February of 2014 Creative Colloquy was born with a mission to support local writers and foster relationships built upon the mutual admiration of the written word through a variety of platforms. We started first with an online publishing platform followed by the first of our live reading events and open mics. In the beginning it was all about the art of asking and hoping for the best. We didn’t even know if anyone was going to show, we just wanted to share stories.

I called six of my friends most insistent that it would be cool if we had this “thing,” and asked if they would send a story for the website and be willing to read if I could score a venue. They, of course, said yes. Next, I connected with the owner of my favorite local café. Known for its cozy and eclectic ambiance, live events, and nicely curated beer selection, it was my very first choice. The owner to this day has a reputation of cultivating a stellar bumping space fondly remembered and sorely missed by many. He also said yes, so then it was only a matter of spreading the word.

That came easier than I anticipated. Newspapers are staffed with writers and writers tend to be eager to support other writers! So, we set a date, asked our friends to show up and were pleasantly surprised by the outpouring of support from local arts and culture publications. They too had recognized a void in this platform. You could find a few amazing and reliable organizations that supported poetry, but you would be hard pressed to find a space where you were encouraged to bring your short fiction or novel excerpt.

The stage was set, we had the gumption, wonderfully talented writerly friends, the perfect venue, and a solid buzz of anticipation, all that was left was waiting to see if anyone showed up. And show up they did. 

First Open Mic Night at B Sharp Coffee House

As people filed into the room, I was floored that the majority of faces were unfamiliar to me. 50-60-word loving souls came to fill the seats and steep themselves in the written word. As we continued on our journey it became clear that poets could dig it too and we swiftly began to expand upon our submission guidelines allowing for writers outside of Tacoma to the general “South Sound” region and including poetry and other genres to be among the words you could find among our pages and spotlighted on stage. More than anything at the core of our vision was inclusivity bridging genres and generations, spanning demographics and experience levels each and every gathering.

Creative Colloquy Open Mic

We grew more so, each event thrumming with an energy that comes when storytellers crawl out from behind their keyboards to share stories and space. Among our programming offerings you will find our online literary site open for submissions monthly. An annual print publication pairing a matrimony of poetry, short stories, essays, and art all crafted by South Sound creatives. A yearly storytelling festival each autumn boasting a pub crawl styled literary readings happening simultaneously in an evening of literary performances, art, and music. We’ve recently hidden nearly 100 messages in a bottle submitted by local scribes inspired by the prompt “Glimmers of Light."

Creative Colloquy "Glimmers of Light" 

Also, we have facilitated a selection of workshops hosted by local professionals in their field exploring themes, experiences, and creative concepts that both help participants to hone their skills and find kernel of inspiration they are seeking.

Example of a Class from CC

One of the things I’ve discovered as Founder and Event Producer of this grassroots organization is that in the art of asking, you might just help fuel the alchemy of the human spirit that happens when we find the courage to share narratives  with one another and you’ll definitely hear a good story or two.

BIO: Jackie Fender (Casella) has been a resident of Tacoma and surrounding areas since she was just a glimmer. She’s an editorial writer with columns among the pages of the Weekly Volcano, and has been published by City Arts Magazine, South Sound Talk, Post Defiance, South Sound Magazine, and Grit City Magazine. Other creative community endeavors have included Tacoma ART BUS/Duchess of Downtown Tours, Wrist Magazine, and Art on the Ave. Fender was awarded the 2018 AMOCAT Award for Outreach by an Individual. Peruse stories, submit your own work or find out more about Creative Colloquy at CreativeColloquy.com. 

Links: Creative Colloquy Website    Creative Colloquy Facebook    Creative Colloquy Instagram

A Note from Tyrean Martinson (one of the admin team from IWSG): I can personally attest to the way Creative Colloquy builds up and encourages authors in the local community. I am inspired by their work and am honored to have a bit of writing in one of those bottled up Glimmers of Light. I've attended classes and open mic events. I've met authors and grown as an author. While we at IWSG want to encourage you to connect here, we also want to encourage you to make local connections. If you want to meet the Creative Colloquy peeps, their Zoom classes are open - a writer from Australia attended one I went to recently. Plus, you can re-watch their classes on Facebook.

 

 

Judging a Writing Contest

By Elizabeth Spann Craig

Judging a writing contest can be a real treat. You have the opportunity to read excellent emerging or established writers, sometimes in a genre that’s different from what you usually write or read. Plus, reading other writers’ work can help inform and improve your own writing.

Here are six questions I like to ask as I read contest entries:

1. Did the story comply with the theme and contest guidelines? This is sort of like following directions for school assignments—it’s key. With some stories there’s more adherence to the theme than others and it can make a difference when judging. It’s tricky working within the confines of a theme and guidelines—entries that do, and do it well, get extra points.

2. Does the story hook me right away? This is crucial for books, but especially for short stories. There’s no time in a short story to load up with backstory and entries that do will be at a disadvantage.

3. Is there obvious conflict early in the story? This goes hand-in-hand with the previous question and is vital for story pacing and keeping the reader (or the contest judge) engaged.

4. Does the character have a clear goal? Is he or she developed as much as possible within the limits of the story’s length? The protagonist’s goal is the whole point of the story . . . it’s why the story exists. The protagonist doesn’t necessarily have to obtain his goal but there does need to be one stated. I don’t expect a ton of character development within the parameters of a short story, but I do expect enough to feel a connection (good or bad) to the main character and to keep the other characters distinct from each other.

5. Is the story clear and focused?

If I get confused as I’m reading, I’ll go back and try to figure out what’s happening by re-reading. If I’m still confused, it’s a bad sign for the story.

Here are two ways I like to keep organized when judging:

1. Make notes in the margins. When you’re reading lots of entries, it helps to make notes in the margins with Track Changes or on paper if you’re working off printed sheets. The notes can help remind you of excellent sections of a story and parts that didn’t work as well. You can even tally up the totals to come up with a rating as you work through the entries.

2. Re-read my top picks. Sometimes there’s not immediately a clear favorite for me among the entries but several that I especially enjoyed. That’s when I re-read my top picks. Reading the best stories back-to-back can help clarify which is superior to the others.

Have you judged writing contests? What tips can you add?

Elizabeth is the bestselling cozy mystery author of the Southern Quilting mysteries, the Myrtle Clover Cozy Mysteries, the Village Library Mysteries, and Memphis Barbeque mysteries for Penguin Random House, Midnight Ink, and independently. Follow her on Twitter where she shares writing links @elizabethscraig or at her blog where she offers tips for writers. She lives in Matthews, North Carolina with her husband and is the mother of two.