Showing posts with label DC Alexander. Show all posts
Showing posts with label DC Alexander. Show all posts

Monday, May 16, 2016

Sad Mr. Adverb

Sad Mr. Adverb is so very sad
Seems he's been labelled crazy and mad 
By whom? you might ask, and rightfully too  
By Them, you'd be told, them in the blue
They say don't use him, not any ole way
He's not fit for language, requiem, or play 
Well, if that be true, then give him the boot 
For new writers know nothin,' and old writers toot moot 

[Haha, I know! Don't quit my day job and take up poetry writing.]

THEY have been telling us to cut adverbs for so long that the rule is now a norm. Why? Because too many writers use adverbs to modify the wrong word. Or they use ambiguous adverbs that tell us nothing. It's become easier to say, "Don't use them," then to illustrate their proper use. 

"And when he spoke, his words came slowly and softly." The Legend of Devil's Creek. D.C. Alexander.  
"She gave a sharp cry of realization just as hands, which she had noticed specifically for their size and strength, caught her upper arm from behind." Mean Streak, Sandra Brown.  
She had just enough time to recognize the heavy hammer she sometimes used to [...] It was in his hands [...]." Dead Wood, Dan Ames 
"When I sit up I do it slowly, blinking heavily. There is a sour taste in my mouth [...]" Follow the Crow, B.B. Griffith. 
"It was a vision of hell. A dismally foggy day over stinking heaps of refuse—" Book of Shadows, Alexandra Sokoloff.
"Reidinger's face was terribly young and unlined, but his brown eyes [...]." The Angel of Zin, Clifford Irving. 
"[...] Jack had said something else to him, too quietly for Wendy to hear, and Tom had only shaken his head sullenly [...]." The Shining, Stephen King. 
"It's difficult to come out on top when everyone is your enemy. Fortunately for us, we aren't at that point yet." Dragon of the Stars, Alex J. Cavanaugh. [Some would argue that out in this case is an adverb. I'll leave that decision for the wordsmiths]

When used correctly, adverbs convey something important and even powerful for the reader. They add rhythm to your prose. They're the reason your reader turns the page; they add something vital to the plot. They don't glob up your sentences. Learn how to use them effectively and I promise your writing will become stronger. 


By the way, @TheIWSG is now on twitter. 



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