Monday, July 14, 2025

Why Scene Mapping Is Your Secret Weapon


 You’ve done it. You’ve typed “The End” on your zero or rough draft. Maybe it’s a messy, chaotic pile of ideas. Maybe it only kind of resembles a novel. Either way, congratulations are in order — because finishing a draft of any kind is a huge milestone.

But now what?

That post-draft moment can be overwhelming. You know the story isn’t done, but diving right into edits without a game plan can feel like trying to rebuild a house while you’re still living in it. This is where scene mapping becomes your best friend — and your secret weapon.

 

What Happens After You Have a Zero or Rough Draft?

A zero draft (sometimes called a discovery draft) is your story in its rawest, most instinctual form. It’s often full of plot holes, dropped threads, inconsistent characters, and tangled pacing — and that’s perfectly okay. Its job was to exist, not to be perfect.

Once that first version is out of your head and onto the page, you’re ready for a different kind of work: structural clarity. Before you can revise well, you need to understand what’s already there. Scene mapping lets you do exactly that.

Author Note: My Scene Mapping Journey

I outlined Ghostwalker: Katje Storm Chronicles, Book 1 (Paranormal Women’s Fiction–Midlife) as a 150-word short form on Medium, which grew into 82 serialized posts. That became my first zero draft.

But the story still wasn’t clear.

So I started over, reshaping those skeletal scenes into something fuller—still under 10,000 words. In truth, I wrote two zero drafts: one long and exploratory, one lean and focused.

Reading it through, I saw logic gaps, underdeveloped scenes, characters that needed to go, and others begging for the spotlight. Worldbuilding emerged naturally as I told the story to myself from start to finish.

To get clarity, I built a story bible. It gave me focus, themes, and even a clearer ending.

Then I broke each scene into cards using Google Docs. It’s my way of crafting a fully fleshed first draft—without shutting down the pantser inside me.

The template below is what I use to track pacing, purpose, and momentum.


Why Scene Mapping Works

Think of scene mapping as laying all the puzzle pieces of your draft out on the table so you can see what’s missing, duplicated, or doesn’t quite fit. It’s not about line edits or prose yet — it’s about understanding the architecture of your story.

Mapping your scenes helps you:

  • Visualize the flow of the narrative

  • Track your protagonist’s emotional or character arc

  • Identify scenes that serve no clear purpose (or serve the same purpose as five others)

  • Spot missing beats in pacing, cause and effect, or rising tension

In other words, it turns the chaos into something you can work with.

How to Map Your Scenes Step by Step

There’s no one right way to do this. The best method is the one you’ll actually use. Here are three approaches that work well for different types of writers and thinkers:


Spreadsheet Method

Great for analytical minds who like structured overviews. Create a spreadsheet with columns such as:

  • Scene Number

  • POV (if multiple characters)

  • Location

  • Word Count

  • One-sentence Summary

  • Purpose (plot, character, theme, etc.)

  • Conflict or Tension

  • Outcome or Decision

This method is especially helpful if you're tracking arcs, timelines, or chapter balance across multiple drafts.


Index Card / Sticky Note Method

Perfect for visual and tactile learners. Write each scene on a separate card or sticky note. Lay them out on a table, wall, or corkboard.

  • Move scenes around to experiment with flow

  • Identify where tension rises or falls

  • Visually cluster related scenes (e.g., by subplot, POV, or theme)

  • Remove or combine redundant beats

It’s flexible, intuitive, and great for spotting patterns and gaps.


Kanban Board Method

Ideal for writers who like visual project management tools (like Trello or physical whiteboards). This method lets you track the status of each scene as you revise.

Set up columns such as:

  • To Review

  • Needs Rewrite

  • Needs Expansion

  • Cut / Combine

  • Good as Is

Then write each scene on a digital card (in tools like Trello, Notion, or Scrivener’s corkboard view) or a sticky note and move it across the board as you work. You can color-code scenes by POV, plotline, or emotional arc for extra clarity.

This approach turns your messy draft into a living revision workflow. Plus, it feels incredibly satisfying to drag a scene into “Good as Is.”


What to Look for Once You’ve Mapped It

Now that you’ve got a bird’s-eye view, here’s what to check:

  • Scene Purpose: Does each scene advance the plot, deepen a character, or raise the stakes?

  • Flow and Momentum: Does each scene build on the last? Or does the story stall?

  • Character Arcs: Can you see change happening? Do key turning points show up?

  • Redundancy: Are you repeating emotional beats or exposition?

  • Missing Scenes: Are there gaps in logic, setup, or payoff?

Scene mapping helps you diagnose before you rewrite. It's a story triage.


From Mapping to Meaningful Rewrite

Mapping doesn’t mean you have to scrap your draft. In fact, it often shows you that less needs to change than you feared — just more strategically. You’ll rewrite with intention, not overwhelm.

It also makes external feedback easier to use. Instead of vague critiques like “The middle is slow,” you’ll know which specific scenes are dragging — and exactly how they fit in the bigger picture.

In Closing...

Scene mapping isn’t just a tool — it’s a lens. It helps you see the story you’ve already told, and gives you the confidence to shape it into the one you meant to tell.

You already did the brave thing by writing the draft. Now let this be the strategic thing that turns it into something powerful.


P.S. I’ve created a free Scene Mapping Template you can use to jump-start this process. Download it [here].

Your Turn: Do you map your scenes? What’s your favorite method — spreadsheets, sticky notes, something else? I’d love to hear your approach in the comments!

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ABOUT


Juneta WRITES SPECULATIVE FICTION that is
Evocative, Mythic, a little Magical, Adventurous, and somewhat Humorous! Come Explore Her Worlds.

She loves writing about Grumpy Old Gods, Space Opera, Paranormal Women’s Fiction & Sci-Fi Fantasy adventure, mysteries, and romance with all the complexity of human nature mixed in, whether human or non-human, mage, mystic or pilot. Stories that involve the mythology born of living and the shadows that make us all heroes, anti-heroes, villains, and poets. Learn More.

Tuesday, July 8, 2025

Writing A Good Review

 Not everyone is a good book reviewer. Those who are good follow some simple guidelines that serve to help readers select their next read.


  • Usually, there’s a short summary. It’s best to avoid spoilers, but if you can’t avoid them, say so up front. That way, someone can decide whether or not to continue reading what you’ve written.


  • If you liked the book, say so, and offer reasons why. If you didn’t like it, do the same and make it clear. 


  • Your review is your opinion, but if possible, try to present a balanced perspective. 


  • Don’t forget to proofread your copy before you post it.



Since you are probably an avid reader (many reviewers are), it might help to take notes on books that you intend to review. That will make it easier to recall your reading experience when it’s time to write your thoughts about the book. 


Some notes that can be helpful are: quotes that strike you as memorable, as well as how you react to a particular character or scene or chapter. These kinds of details add interest and value to what you write. 


If you have read other books that are similar in some way, add this information to your review.


If you’re a writer. You’re very familiar with the “hook.”  Use one in your review to engage your reader and hopefully keep them reading.

Know who your readers will likely be and choose your language and tone keeping them in mind. 


Once you’ve posted your review, it’s a good idea to check back and see if there is a reaction to it. It’s also a good idea to respond with comments. Reviews are another opportunity to build a network. 


Do you review? Do you have any other ideas about how to be a “good reviewer”?




Monday, June 23, 2025

5 Tips For a Stellar Cover Design in 2025

Picture this: you’re browsing your local bookstore, letting your eyes drift over the many titles. Suddenly, it appears — a book with a cover so enticing, you simply have to take it home.

Something like this has probably happened to you at some point… but have you ever wondered why? What elements go into a cover design that’s truly irresistible? 



And as an author, how can you harness those elements to make your own cover a success?

Well, wonder no more: in this post, I’ll provide five handy tips to help you design a stellar cover of your own! I’ll also examine a few captivating contemporary covers that have applied these principles to gain success in 2025. Let’s get into it!

1. Experiment with genre expectations

A book’s cover should, first and foremost, signal its genre. Horror is full of disturbing imagery and foreboding color schemes, while cozy fantasy covers tend to be whimsical and inviting. And thrillers? Those cover designers love their photographic realism.

There’s nothing wrong with leaning into these tropes — quite the opposite! You should work with cover design trends so that passerby can identify your book’s genre at a glance. Stray too far from these conventions and you risk alienating your audience.

So try to build on the strengths of popular trends, and innovate just enough that your book stands out from the crowd, but not so much that potential readers won’t recognize the genre.



Take romance, for example. 2024 saw the release of Funny Story by Emily Henry, One Star Romance by Laura Hankin, and The Rule Book by Sarah Adams — see the similarities?

Each of these covers follows the same vector-based art style popularized by Sally Thorne’s The Hating Game back in 2016. They all also feature their main romantic pair front and center, so their genre is obvious to any errant viewer. With that in mind, let’s examine Lyla Sage’s Swift and Saddled to “illustrate” how you can iterate within your genre:



Romantic couple as the focal point? Check. Thick lines with a distinct color palette? Check. Compelling illustrations that are almost “cartoon-like”? Also check. Swift and Saddled might follow the typical design trends you’d expect from a romance, but the old-school, comic book-inspired art style gives it a unique visual flair that sets it apart.

2. Center your title with eye-catching typography

The retro aesthetic isn’t the only thing that jumps out about the Swift and Saddled cover — notice the old Western-style font used in the title? Some of the most lauded covers of the past few years feature bold, eye-catching typography that sticks with viewers. (Indeed, it can also be useful to use “signature” typography in your book’s promotional materials.)




The saloon-style lettering of Swift and Saddled only scratches the surface of what bold, typography-centered covers can achieve. Open Throat by Henry Hoke is another excellent example of this: the lettering is hand-drawn to resemble razor-sharp teeth, then distorted to fit inside the open mouth of a roaring wildcat. This creates a striking focal point which, when paired with the shocking neon pink background, is practically guaranteed to grab readers.

Meanwhile, Salman Rushdie’s Knife keeps things minimalist with an elegant serif font on a matte cream background. The star of the show here is the blade-like line in place of the “I”, as if a knife is literally slicing the title in half. The result is some dangerously clever interplay between the text and imagery — alluding to the serious subject matter that readers can expect within.

Speaking of which…

3. Use imagery to indicate thematic depth

Knife is not the only recent book to use symbolism in its visual design. Some of the most memorable cover designs from recent years have added intrigue by incorporating visual elements reflecting the story’s themes and central conflict. This idea is on full display on the cover of Sally Rooney’s Intermezzo:



Here, the viewer gets a top-down view of a chess board adorned with five distinct game pieces. The larger board, along with the players on either side of it, is hidden from view — implying that the reader is not fully privy to whatever game is (presumably) taking place in this story. Each piece also casts its own shadow, indicating that this isn’t just a simple game between two players, but a tangled web involving multiple parties — each with their own agenda.

Your cover design doesn’t need to go into quite as much depth as Intermezzo’s, but including a few alluring, narrative-foreshadowing details will take your cover from good to great.

4. Design with mobile in mind

Of course, great cover design isn’t just about creating eye-catching artwork — it’s also about making sure the cover “works” at different sizes. Bookstores aren’t the only place that potential readers are finding your novel (if even there) — more often than not, they’re discovering it through social media, online retailers, or recommendation apps.

A cover that looks perfect in a full-page print display might lose its impact once scaled down and compressed for viewing on a tiny screen. So keep digital displays in mind throughout the design process! This doesn’t just mean phones and tablets, either — from Kobo to Kindle, digital reading is all the rage these days, and many popular devices only display in black and white.






Barbara Kingsolver’s Demon Copperhead is mostly monochrome to begin with, so this cover looks outstanding no matter the filter. You needn’t take the Demon Copperhead approach and largely discard color, but it is a possibility to keep in mind throughout the design process.

If you want your cover to translate well to grayscale, avoid using too many similar mid-tones, subtle color gradients, or small, detailed illustrations with minimal contrast. 

5. Test, test, test!

They say that beauty is in the eye of the beholder — so to ensure broad appeal, you should get many beholders’ eyes on your cover before you finalize it. Remember, the cover is an essential part of your book’s marketing process, so it pays to be thorough!

To ensure your design captures the core appeal of your story, try asking a team of beta readers for their thoughts. What tone and genre do they think it evokes? Does it feel like anything is missing? Don’t be disheartened if their feedback doesn’t align with your expectations — it’s all part of the process.

Lastly, if you’re not confident in your visual design skills and this article has you feeling overwhelmed, consider hiring a professional designer for your cover instead. It may cost you a pretty penny upfront, but it’s an investment in your future book’s success: the stronger your cover, the more likely it is to drive sales.

Whether you choose to DIY your cover or bring a professional aboard, remember that this is your book — don’t feel pressured to conform to what’s popular in 2025. Who knows? Maybe your idea will shake up the formula, inspiring a fresh new wave in cover design. The only way to find out is to get designing.


Savannah Cordova is a writer with Reedsy, a platform that connects authors with the best publishing resources and industry professionals to help them publish their books. In her spare time, Savannah enjoys reading contemporary fiction and writing short stories.